I was born and live in Warsaw. In 1994 I graduated Faculty of Painting at the Academy of Fine Arts in Warsaw, under the direction of Prof. S.Gierowski. In the years 1996/97 I continued studying at Ecole des Beaux - Arts in Versailles. In the year two thousand and fifteenth I started PhD at the Institute of Fine Arts of Kochanowski University in Kielce. Currently I am a doctoral candidate. I started my doctoral research. 
My art corresponds to minimal-art installations , introduced at the end of the century in North America. I extremely interested in : Shaped painting , Site - specific , Environment , Ephemeral-art. Area that fascinates me is Philosophy. My artistic creation is supported by : K. Goldstein’s “Global Theory of Organism Structure” and M. Marleau-Ponty’s “Psychological Theory of Global Perception”. 
I often repeat the words of A.Einstein “ Everything should be as simple as possible. But not simpler”. My visual form is free from unnecessary detail and subject to global and primordial perception. The format is geometric, square or oval, often with a fragment of the frame or painting loom. I always use a simple division but I approach my works in a painterly. 
I am a landscape painter. My technique is oil on canvas, plywood , chipboard, briquette, fabric. The concept of my work is a very important element. The colors depends on my concept. My range of colors is rich. In most of my works I try to make the color universal and fit the surroundings. My forms and colours are often brought from nature. Sometimes these are pure colors, sometimes more broken, often I add gray, black or white. 
In my artistic works very important is expression and structure. Expression is strengthened by toothed spreader, structural paint roller, modified paint texture, multiplication, shape and location of the image. My works don’t always hang on the wall, sometimes they are lying on the ground, standing or based on a wall. 
In the cycles of paintings, presented fragments of modern landscape, space at the first is divided and then put together again by format, colour, structure. All of this is to show the modern receiver that “European culture (…) dominated by science, threatens for humanity”. Modern human must learn the forgotten ability of inhabiting the world” – says philosophers Hans-Georg Gadamer, Paul Ricoeur and Katarzyna Rosner in her book “ Hermeneutyk as a critique of culture “. 
The key of world’s organisation is in the ways of structuring by senses says M.Marleau -Ponty. Sensual experiencing gives us a form of landscape.

My art corresponds to minimal-art installations , introduced at the end of the century in North America. Another special interest of mine is Philosophy.

My artistic creation is supported by : K. Goldstein’s “Global Theory of Organism Structure” and M. Marleau-Ponty’s “Psychological Theory of Global Perception” . My visual form is free from unnecessary detail and subject to global and primordial perception. Form and colour are brought from nature. My technique is oil on canvas, polywood , chipboard , briquette , fabric. In my artistic works very important is expression but sometimes I use a simple division and geometry . However I always approach it in a painterly. Often I repeat the words of A. Einstein “ Everything should be as simple as possible. But not simpler”. Area that fascinates me is : Shaped Painting , Site - specific , Environment , Ephemeral-art. In the cycles of paintings, which present fragments of modern landscape, space is shattered with the aim of being put together again by colour and format. Expression is strengthened by using less conventional means, such as: toothed spreader, structural paint roller, modified paint texture, painting format, or even painting looms, multiplication, shape and location of the image . All of this is to show the modern receiver that “European culture (…) dominated by science, provides a threat for humanity” – K. Rosner. “Modern human has to learn the forgotten ability of inhabiting the world” – H.G. Gadamer, P. Ricoeur. The key of world’s organisation lies in the ways of structuring . Sensual experiencing provides us with a form of landscape. To help viewers understand the problem I use , sometimes , the gaming world . Direct participation of the recipient in the artistic event - game will help them fix the problem